Early career
The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children.
Later Career
The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre,[2] and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated.
Chiparus created one of the most iconic bronzes in 1928 called "Danseuse au cerceau" or "Ring Dancer" inspired in the famous and prodigious dancer Zoula de Boncza of the Parisian "Folies Bergère", a first dancer of The Belgrado Royal Opera and a Mime dancer of "l'Opéra-Comique" in Paris. Later in life de Boncza, a descendant of Polish nobility and one of Loie Fuller best students, created a book published in 1961: the dance method "La Danse classique sans barre". The book was published with texts from Eugène de Rijac and illustrations by Alexandre Berlant and Yvonne Breton.
He worked primarily with the Edmond Etling and Cie Foundry in Paris owned by Edmond Etling and administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry who constantly worked with Chiparus and produced the sculptures cast from his models. He based many of his works on the ballet and the theatre, one particular theme being the Ballets Russes from which resulted "The Russian Dancers" depicting Vaslav Nijinsky and Ida Rubenstein in that role in Schéhérazade.[2]
Style
Sculptures of Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers.[2] For example, faces of “Persian Dance” figures reveal the likenesses of Nijinsky and Rubinstein, and the dress in “Starfish Girl” exactly reproduces the sketch for Goldfish's dress from the ballet “Underwater kingdom” by Lev Annensky. Chiparus could have been influenced by Russian ballets indirectly, through the performances of French music halls and cabarets which bore traces of the strong impact of Russian ballet. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time.
After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt and the East came to French fashion, and was also reflected in the creative activity of Chiparus. Several sculptures by Chiparus and Claire Colinet represent Queen Cleopatra and Egyptian dancers. The sculptures of Chiparus reflect his time and 1920-1930s sentiment of "folle". Coming from the oldest French tradition of high-quality and extra-artistic decorative arts, the sculptures of Chiparus combine elegance and luxury, embodying the spirit of the Art Deco epoch.
Collector interest in the work of Chiparus appeared in the 1970s and has flourished since the 1990s. A major collection of Chiparus' work is on display in the permanent collection of Casa Lis, the art nouveau and art deco museum in Salamanca, Espana.
Death and Legacy
Demétre Chiparus died in Paris in 1947, suffering a stroke on returning from studying animals at the zoo in Vincennes.[2] He was buried in Bagneux Cemetery, just south of Paris. Chiparus is remembered as one of the most important artists of the Art Deco era.
Source: Demétre Chiparus - Wikipedia
